photo credit: re_birf

How do you write good copy for voice over?

Writing for the spoken word can be dramatically different than composing a piece that is meant to be read.  Take a magazine article or newspaper and read it out loud and you will quickly see what I mean.  You have to think about the context, the target audience, the speaker’s point of view… and on and on.  A lot goes into good VO copy. (more…)

Multi Track Mix in Adobe Audition 3.0

Panning

Let’s be technical for a bit – and I’m going to use tech terms and jargon in this posting so be prepared if you’re new to the production game.  This post is for all you creative services directors, production directors – whatever it is you call yourselves in radio these days.  Me?  I prefer prod guy (or girl) or if I’m feeling particularly cocky: prod guru.  Yesterday I was working on a piece with a very high production value.  Lots of compression, reverb, EQ, various whooshes, stutters and gizmos.  You get the idea.  I decided to spice it up a bit more with some creative panning and that’s when I broke one of Hart’s rules: (more…)

Tom Dheere has written a great post on the RogNog blog about voice actors and tax time.  He starts off:

I’m going to see my accountant this afternoon to get my taxes done. So, for those of you who’ve never filed your taxes as a performance artist, let’s cover the basics… (click the sentence for the rest of Tom’s post)

Check it out.

I understand the thought of hiring a voice actor can be overwhelming to many so I have written an article called “How To Hire a Voice Over” as a service to my clients and prospective clients.

I have done my best to explain the process as concisely as possible but the article does have a good amount of meat in it.

If you find the online version hard to read you may download the PDF version instead:

How to Hire a Voice Over by Brian Hart

Please  leave a comment if you find “How to Hire a Voice Over” helpful,  if you find that I need to clarify or correct any information, or  if you have your own thoughts on the process you would like to add.

The article begins after the jump:
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Brian Hart is the owner of Hart Voice Overs.  Brian has been recording voiceovers for broadcast and multimedia applications for over 17 years.  In addition Brian offers post production and copywriting services.

Brian has worked at a variety of radio stations since 1992.  Brian started out as a part time disc jockey on a radio station in Tuscaloosa, Alabama and quickly moved up to full time work as employers recognized his work ethic and natural talent.  Over the course of his broadcasting career Brian has worked as program director, operations manager, and production director at a variety of radio stations and broadcast groups from Alabama to North Carolina.

In 2004 Brian started Brian Hart Productions with an emphasis on producing radio station imaging for small to medium sized markets.  As Brian Hart Productions grew, Brian realized there was a growing need for voice over services in a wide range of areas outside of the broadcast industry.  Brian has built Hart Voice Overs with that in mind, serving a wider base of clients and delivering a broader range of voiceover demands.

Now Brian works full time as a Voice Over actor and audio producer from his home in beautiful Foley, Alabama on the Gulf Coast.  When asked why he chose to live in Foley Brian replied, “Because I am lucky enough that I can.  I’m 15 minutes from the Gulf of Mexico and within shouting distance of some of the most beautiful beaches in the world.  Thanks to the internet I can work for clients worldwide while still enjoying southern hospitality and small town life.”

Brian Hart is also an amateur photographer and you’ll find many of his photos sprinkled throughout Hart Voice Overs.  Brian,  his wife Amy and their son J.D. like to go sailing and beach bumming in their spare time.

Contact Brian Hart today to discuss your specific project.